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Perspective
Nov 24th
Tomorrow is November 25th. The day of Thanksgiving. As it happens, I have a story to tell. It’s a short story. A human story. A thanks giving story. A true story. I was riding the train to work. Like any regular morning commute, you would see variety of people file into the train car at every station. gradually, and as the train gets closer to San Francisco, the car fills up. If you pay attention and try not to stare, you’ll find all kinds of interesting people. They’re all heading to work. You wonder what each one does for living. Some are more obvious than others. Those that work in financial, hospitality, construction, or … Then there was this guy. Young, between twenty and twenty five. I am usually seated on my ride to work. I start my commute at the beginning of the train’s route, the first station. So I don’t have a problem getting a seat. Usually I am reading or fiddling with my phone. When this guy gets in all the seats are taken and many are standing in the isle. He stands next to my seat and holds onto the bar as the train picks up speed. He is carrying a shoulder bag and quietly starts to pull out stuff out of it, not to bring much attention to himself. I am glancing at him on the corner of my eye, being careful not to stare. Now he’s got papers, clipboard, and a little container in his hands. As he unzips this container I see neatly organized pencils next to each other inside. He pulls one out and zips it back up. I can’t see what he is doing since he is standing and his clipboard is above my head. Since I saw drawings on his paper earlier, I can only guess he is an artist. Among all the passengers, he is probably the only one that isn’t focused on phones, Kindles, iPads, or any variety of digital devices everyone is occupied with these days. He is creating something that had not been seen before, something unique. And he is doing it while the train is speeding to 65 and then 70 miles an hour, with it’s shimmying, shakes, and rattles. I grab my bag, stand up, and get out of my seat. I gently tap him on his shoulder. “Would you like to sit?” I say. He chuckles and says “Oh, yes. Thank you”, and sits down. I put my headsets back on and notice he begins drawing something that I can’t tell what it is. Maybe a car, or a dishwasher, or something. I turn away to the other side of the isle and begin reading news articles off my phone. Couple of stops latter, now, there are fewer people standing and a seat opens in front of me, across the aisle from the artist. I sit down and continue with my reading. After about half hour or so, I reach my station and begin to get up to leave the train, when suddenly the artist reaches out to me with his hand. He is holding what appeared to be a plain piece of paper, while loosely holding the edges together so not to reveal what’s inside. “This is for you” he says. I take the paper and see a drawing of myself. The perspective is from the side, as in from across the isle from me. It is so strikingly similar to me that it feels like looking at a mirror, sideways. “Wow, it’s beautiful. Thank you.” I say. He smiles. I get out of the train. As I stand on the platform and watch the train shoot away from the station, I notice at the bottom of the drawing it says “Thanks for the seat”. That drawing is now my Facebook profile picture.

Offshore Software Development
Dec 1st

If search is desire to find, then data from Google search shows interest (desire) in offshore software development has decreased and then plateaued in the last three years. Although it might be difficult to determine spending on offshore development, but one might think it would have increased during the all familiar “down sizing” period. Since “cost cutting” is synonymous with down sizing, you would have expected to see more interest in offshore development. And since assumption is that decline in search is indicative of desire, then it doesn’t seem much of the offshore development talent has been utilized.
Perhaps it’s the abundance of readily available talent at home is the reason. Clearly, the current economic slowdown has shored up much motivation across the development workforce in U.S. I am not suggesting that hourly pay for software development and support in U.S. has plummeted to match that of offshore centers, although in some areas it seems it has. But the cost differentiators have clearly diminished.
Some suggest this to be a temporary situation, bound to the economic health in U.S.
What do you think? Are U.S. companies using more local talent than the 2000-2004 period? Would the tide turn as the economy does?
Talent Recognition
Jul 15th
Washington DC Metro Station on a cold January morning in 2007. He played six Bach pieces for about 45 minutes. During that time approximately 2 thousand people went through the station, most of them on their way to work. After 3 minutes a middle aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds and then hurried to meet his schedule.
4 minutes later:
the violinist received his first dollar: a woman threw the money in the till and, without stopping, continued to walk.
6 minutes:
A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
10 minutes:
A 3 year old boy stopped but his mother tugged him along hurriedly, as the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced them to move on.
45 minutes:
The musician played. Only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace.
He collected $32.
1 hour:
He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.
No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.
This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people’s priorities. The questions raised: in a common place environment at an inappropriate hour, do we perceive beauty? Do we stop to appreciate it? Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be:
If we do not have a moment to stop and listen to one of the best musicians in the world playing some of the finest music ever written, with one of the most beautiful instruments ….
How many other things are we missing?
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